Twisted Dark is Neil Gibson’s interconnected psychological thriller anthology. This, the first volume, is formed of 12 individual and unique stories comprising of nearly 200 hundred pages. The stories vary from 10 year old girls to Colombian drug lords and everything in between but the stories are all somehow connected some obviously so and some not. It is left to the reader to find the connections, with some impossible to see until you have read multiple volumes. The books contains horror, dark, at times demented, stories incorporating every human emotion, illegal activity, and brutal reality. Using various illustrators allows each story and character to develop their own form the reader is left desperate to turn the pages. The book has been embraced by the comic book world receiving critical acclaim and a cult underground following.
Neil is the founder and lead writer at TPub. He is currently writing all of the titles at TPub, but is looking forward to the day when other writers are hired he can take credit for their work. He used to be a management consultant, before realising in his 30s that he loved good comics and wanted to make a career out of them. He believes that the comic book medium is one of the most efficient mediums for communicating stories. If you want to annoy him, just mention how you think comics are for kids. His reaction is a common source of amusement. He has given talks in universities and clubs about comics and will gladly talk anywhere he is invited to about comics and how underutilised they really are. To book Neil to give a talk, please email email@example.com
Once again this author manages to capture and hold my attention the full 97 pages with a story of love, despair, hope, and joy.
In this second September story we continue to follow the life of Liz and her daughter after the death of the great poet Jack O. Savage. Things aren’t easy and the author has managed to bring all the struggles alive in a way that makes the reader root for the characters. The fine details show that the author has either done her research really well of writes what she knows from experience. Either way, it makes for a book with real living characters and scenes.
Her dialogues are never once contrived or stilted and each character speaks how you would expect a person from that age, gender, or social group would.
There is enough detail to the scenes to make them more than just a stage for the characters to play on, but never so much that it drowns out the story. A perfect balance between setting a scene and telling the story from within the character’s point of view.
The only downside to this great story is that I read it way too fast, or it was too short. On the other hand, it was complete. Had the author written more detail in it, or added scenes to make it longer that would probably have ruined what is now a perfect story.
Would I recommend this book? The answer to that is a big, fat YES! And I cannot wait to read the prequel to this all.